It was such an honor to have excerpts of “The Reach Of Resonance” selected to be part of an exhibition of California artists at the Huntington Library in San Marino, California yesterday.  It couldn’t have been a more beautiful Sunday to enjoy their awe-inspiring collection of artwork (such as the famous 18th century “Blue Boy” and “Pinky” paintings), literature (including an original Gutenburg Bible, 15th century illuminated manuscripts of Chaucer’s “Canterbury Tales,” and original letters of Charles Dickens), and botanical gardens.  http://www.huntington.org/

“The Reach Of Resonance” is one of 9 films chosen by Science Magazine (out of the 180 screened at last month’s DC Environmental Film Festival) to be reviewed in its current issue, released today.  Here is a sample from the review:

“Have you ever heard Earth’s magnetic field as melody or listened to a plant as part of a musical ensemble? What would an urban riot sound like if transcribed for string quartet? Can a piece of music be defined by geographic rather than chronologic length?  Through its examination of the role of environment in the creation of music, and the deeper exploration of the environments created by these sounds, the film achieves its goal of finding meaning in music beyond mere aesthetic pleasure.”

“The Reach Of Resonance” will be screening at The Ultimate Picture Palace in Oxford, England on May 19th.

“The Reach Of Resonance” will be screening at the University of Social Sciences and Humanities in Warsaw, Poland on May 19th at 4:30pm.  More info will be available soon.

http://www.swps.pl/english/

Today, cinema history is being made. “One Day On Earth,” the first film to be shot in every country in the world on the same day, is now premiering in every country in the world today. With screenings at locations ranging from the United Nations General Assembly Hall in New York, to Afghanistan, to a football field in Belize, to CERN’s Large Hadron Collider, this is the first-ever global screening event. Our local screening here in Los Angeles will take place at the historic Mann’s Chinese Theater, and is already sold out. “Reach Of Resonance” artist Glenn Weyant was filmed turning the US / Mexico border wall into a giant musical instrument for the project. A full list of screening locations world-wide is here: http://www.onedayonearth.org/screening

Earth Day is coming up on April 22nd, and today “The Reach Of Resonance” is the Earth Day Network’s featured film on Twitter.  The Earth Day Network discovered “The Reach Of Resonance” at the Washington DC Environmental Film Festival last month, and is promoting the film as a part of their “Arts For The Earth” program, which aims to broaden and diversify both the arts and environmental awareness.

For more info about the Earth Day Network and “Arts For The Earth,” visit:  http://www.earthday.org/

“The Reach Of Resonance” will screen at the UC Irvine Contemporary Arts Center in Orange County, California on May 16th.  5pm.

http://www.uci.edu/galleries/cac/

We are excited to announce that “The Reach Of Resonance” is finally making its way to the Pacific northwest, with screenings on July 2nd and 3rd at Seattle’s Northwest Film Forum.   http://www.nwfilmforum.org/

One of the artists in “The Reach Of Resonance,” Glenn Weyant, has been turning the U.S. / Mexico border wall into a giant musical instrument for people on both sides of the border. Glenn was filmed for “One Day On Earth,” the first film to be shot in every country in the world on the same day, which premieres on April 22nd. Here’s the trailer.

For more on Glenn’s work, visit: http://www.sonicanta.com/

This weekend, San Francisco’s KPV Radio has been airing an interview with “Reach Of Resonance” director Steve Elkins as part of their “One Loves Only Form” program.  The program is curated around how concepts of space have evolved with current technology, and has become more psychological than physical. It explores the ways virtual, expanding boundaries of space affect how people relate and interact with their understanding of space now, and the ways in which Elkins’ previous and forthcoming films explore these notions from highly unorthodox perspectives.

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